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Living with terminal cancer, Romain (Melvil Poupaud), a fashion photographer who shoots subjects during orgasm, decides to fill what little time he’s left with as much sex as possible. It as the seed for Shortbus." - John Cameron Mitchell, filmmaker, Shortbus and Hedwig and the Angry Inch (1980) It was the first sex scene I'd ever seen that combined hotness, narrative necessity, a dom/sub dynamic, and the ineffable sweetness that comes only from a real relationship. "There's an encounter in Taxi zum Klo between director-star Frank Ripploh and his real-life lover, Bernd Broaderup. The realistic portrayal of platonic, symbiotic intimacy sticks with the viewer longer than the image of Phoenix and Reeves cuddling up by a campfire. It’s tenderness that fuels the sexuality in this pick, Van Sant’s beloved tale of a gay narcoleptic street hustler (River Phoenix) who is desperately in love with his best friend, Scott (Keanu Reeves). The men, played by Nigel Terry and Sean Bean, know perfectly well they can’t come out of their dalliance unscathed-nor do they-but it’s those elements of danger that make this story so combustible. (1987)īrutal and violent, artist Caravaggio’s doomed affair with street fighter Ranuccio is sexuality at its most unrestrained. Though Maurice is initially dismayed when Scudder offers himself up, he comes to his senses and together the men find their happy ending.
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To paraphrase Joni Mitchell, I've looked at glory holes from both sides now, from blower and inhaler, from younger and older, and still it's glory holes' illusions I recall."Ĭonfused and traumatized by an unconsummated love, Maurice (James Wilby) finally gets some relief when he succumbs to gamekeeper Scudder’s (Rupert Graves) nocturnal advances in this Merchant Ivory adaptation of E.M. It's a great, exquisitely poetic representation of the impossibility of romance-and even desire itself. After studiously feigning disinterest, the young brute finally kneels at the wall, closed-eyed and open-mouthed, and receives the billowingn white smoke. The old lag lights a cigarette, inserts a straw through a tiny hole, and blows smoke through it into the next cell. A middle-aged prisoner knocks on his cell wall, frantically trying to attract the attention of his younger neighbor, who is dancing with himself in a dirty vest with a face as tender as it is tough. Is this is a bad sign? Jean Genet's Un Chant D'Amour, his only movie, is set, of course, in a prison.
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"My favorite movie male-on-male love scene is one in which the male couple are separated by a cell wall but brought together by a straw and a shared lungful of smoke. And no, it doesn't hurt that Knoller and Sweid are totally cute, too." -Dale Peck, novelist, 'Sprout' (2006) The scene's great for two reasons: first, because it dares to show an Israeli Jewish man and a Palestinian man making love, and second, because it eschews the spit-and-smile approach to movies like Brokeback Mountain to give viewers a more realistic version of what happens when someone loses his anal cherry-it's a little awkard, a little painful, but also irresistble and tender and ineffably pleasurable. "It would have to be when Noam (Ohad Knoller) and Ashraf (Yousef Sweid) first have sex in Eytan Fox's The Bubble. The men can’t resist one another, and we can’t resist hitting rewind. Lust provides the thrust of Zach and Shaun’s long-anticipated night of passion, an explosion of atavistic attraction - pull at the belt get the fly untangle the legs - but it’s love that wins the day in this movie about a young man coming to terms with his sexuality.